A Kalahari San Bushman climbing a tree traditionally used for firewood. The Bushman makes use of a variety of natural resources for daily life, including a whole host of wood for different purposes.

When documentary photographer Daniel Cuthbert drove seventeen hours into the Kalahari Desert to meet the Bushmen for the first time, the only thing he had to go by for reference was a lengthy set of co-ordinates with the message, meet us here at 4pm. With a medium format Rollei i, he set out into the wild nothingness of the savannah to document the Bushmen of modern-day.

Bushmen — also known as the San people — have existed in Africa for 20, years, but since the government started moving them into camps in attempts to eradicate their traditional lifestyle, they have been forced to adapt to a new way of life.

3gp bushman traditional dance

Disappearing Cultures: The Bushman is a documentary project by Daniel Cuthbert, which looks at the lives of modern-day Bushmen and explores the struggle between tradition and modernity in a culture that is being gradually pushed towards extinction. Cuthbert focuses on two groups — a family of Bushmen in the Kalahari Desert who still lead a somewhat traditional nomadic lifestyle, and the camps in Platfonitein where the majority of the Khwe Bushmen are now living.

In these camps, alcoholism, drug abuse, and teen pregnancies are rife, simply because there is nothing for them to do. There are no job prospects, they are ostracized by other South Africans, and are denied legal citizenship and identity. Young Khwe Bushmen in Platfontein prefer western fashion for inspiration, over more traditional ways of dressing.

Often the abuse they receive as Bushmen, be it when they speak their language or dress in a more traditional manner, pushes the youngsters to fit in rather than embrace their culture. You say that it was quite a lengthy process to gain access to photograph the Bushmen.

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What difficulties did you encounter along the way? Couple that with a round trip of kilometres for each visit, and this project pushed me on a physical level. Then came the language barrier.

3gp bushman traditional dance

Cue numerous sand drawings and hand gestures. Teenage pregnancy is on the rise. Many young girls pretend to be pregnant after seeing the older girls in later stages of pregnancy. Your subjects appear relatively relaxed and natural in your shots. What was their initial reaction to you photographing them? How did you gain their trust?

After a few days of this, I guess I was finally ignored as the new kid and just allowed to get on with talking to people via my translator and finding out about their story and lives. Teenagers with no job prospects or aspirations turn to alcohol to pass the time. This has led to a heavy drink culture in the youth, with many spending their days idling and drinking to keep amused.

We have nothing to look forward to. What camera did you use to shoot this series, and why?The San or Basarwa people live on the vast territory of Kalahari desert which is divided among 3 countries — South Africa, Botswana and Namibia.

Some San communities exist in Angola too. The San are often called Bushmen. The word "bushman" is rather pejorative.

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It comes from the Dutch word, "bossiesman", which means "bandit" or "outlaw". White people start calling the San that way some years ago. At the moment there are about 95, San people. But only 3, of them kept their traditional lifestyle of hunters and gatherers. It is believed that the San people have one of the oldest cultures on our planet. Their culture is more thanyears old.

Bushmen Dance - The San Tribe

The San traditionally live in groups of about 20 people. Groups include family members and there is no chief or something like that. Decisions are made on consensus. Still certain knowledge like those of hunters is highly respected. If bigger disagreements happen the group just splits and go their own separate ways.

Few times a year different groups meet to exchange news and presents. Marriage arrangements are sometimes made too. The San constantly move from area to area in search of food and water.

They often follow migration routes of animals.

3gp bushman traditional dance

They live in huts made of branches with some grass on top. Men are hunters. They use traps, bows and poisoned arrows.Among the! Kung San people from the northwestern Kalahari Desert region, music helps a spiritual healer enter into a religious trance! Men and women chant, sing, clap rhythmically and drum; and when the music "heats up" enough to send a healer into the realm between human and spirit worlds, all who attend the dance are healed of their illnesses.

Recorded between and by American anthropologists. Skip to main content. Music of, by, and for the people. Explore Learn Join Shop. Browse By. Eastern Africa. Middle Africa. Northern Africa. Southern Africa. Western Africa. Central America. Northern America. Southern America. Central Asia. Northeast Asia. Southeast Asia. Southern Asia. Western Asia. Eastern Europe. Northern Europe.

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When We Were Free gives listeners a rare fireside glimpse into the ancient, otherworldly music of the Bushman people of the Kalahari Desert. Recorded in three Bushman villages in western Botswana, this CD includes the intense and fascinating vocal music of the sacred "trance dances" alongside intimate, meditative instrumental selections. Revolutions of Spirit: Bushman Dance [digital album] - name your price.

A two-part album available for streaming or download at bushmanmusic. Trance dances are the heart and soul of Bushman music.

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Often lasting through the night, they are intended for healing and communing with the spiritual world. The powerful and complex tapestry of sound produced from only clapping, dance rattles, and a mass of polyphonic vocals is a wonder to hear. The Bushmen, or San, are the oldest race on Earth. We are told by modern science that they have the most diverse gene pool of any people on the planet, and thus are considered to be the ancestral race of us all.

To the Western world, they may be best known for their languages — dazzling varieties of clicks, pops, and guttural sounds in addition to more familiar vowels and consonants — as well as their romanticized representation in the movie The Gods Must Be Crazy. They live mainly in the Kalahari Desert and its outskirts, with major populations in Botswana, Namibia, and South Africa. In past times their existence was nomadic.

Sleeping in temporary huts, they would gather food from the bush and hunt for game using small poison-tipped arrows. They enjoyed a largely egalitarian society and an economy based on sharing and gift-giving. With the influx of Western civilization around the Kalahari in the latter half of the 20th century, the Bushmen underwent a profound lifestyle change.

They found themselves living in permanent villages, going to public schools and clinics, obeying law enforcement, and getting water from boreholes drilled deep into the earth. The transition has not been particularly easy or pretty.

Most San people are now prevented by law from hunting wild game. And with employment opportunities hopelessly scarce in their tiny villages, many now live an impoverished existence dependent largely on government handouts and, where possible, the raising of a few cattle. The overall feeling is one of marginalization — a race reduced to novelty, to the occasional tourist attraction — and alcoholism has all too often stepped in to take the place of harmony and natural productivity.

We may wonder whether this change was wanted or unwanted, and whether it was inevitable. It is a complex issue. Some Bushmen—particularly among the younger generation—were, and are, quite attracted to the modern lifestyle, with its reliable water sources, medicines, and conveniences. And there is a desire to be involved with the rest of the world, rather than live in a bubble of traditional ways.The historical presence of the San in Botswana is particularly evident in northern Botswana's Tsodilo Hills region.

Despite the lifestyle changes, they have provided a wealth of information in anthropology and genetics. That is, "groups of populations with common genetic ancestry, who share ethnicity and similarities in both their culture and the properties of their languages".

Both designations "Bushmen" and "San" are exonyms in origin, but San had been widely adopted as an endonym by the late s. Adoption of the Khoekhoe term San in Western anthropology dates to the s, and this remains the standard term in English-language ethnographic literature, although some authors have later switched back to Bushmen. The term Basarwa singular Mosarwa is used for the San collectively in Botswana.

The terms Amasili and Batwa are sometimes used for them in Zimbabwe. The San kinship system reflects their interdependence as traditionally small mobile foraging bands. San kinship is comparable to Eskimo kinshipwith the same set of terms as in European cultures, but also uses a name rule and an age rule. The age rule resolves any confusion arising from kinship terms, as the older of two people always decides what to call the younger.

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Relatively few names circulate approximately 35 names per sexand each child is named after a grandparent or another relative. Children have no social duties besides playing, and leisure is very important to San of all ages. Large amounts of time are spent in conversation, joking, music, and sacred dances.

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Women have a high status in San society, are greatly respected, and may be leaders of their own family groups. They make important family and group decisions and claim ownership of water holes and foraging areas. Women are mainly involved in the gathering of food, but may also take part in hunting. Water is important in San life. Droughts may last many months and waterholes may dry up. When this happens, they use sip wells.

To get water this way, a San scrapes a deep hole where the sand is damp. Into this hole is inserted a long hollow grass stem. An empty ostrich egg is used to collect the water. Water is sucked into the straw from the sand, into the mouth, and then travels down another straw into the ostrich egg.

Traditionally, the San were an egalitarian society. The San made decisions among themselves by consensus[39] with women treated as relative equals. Most San are monogamousbut if a hunter is skilled enough to get a lot of food, he can afford to have a second wife as well. Villages range in sturdiness from nightly rain shelters in the warm spring when people move constantly in search of budding greensto formalised rings, wherein people congregate in the dry season around permanent waterholes.

Early spring is the hardest season: a hot dry period following the cool, dry winter. Most plants still are dead or dormant, and supplies of autumn nuts are exhausted. Meat is particularly important in the dry months when wildlife can not range far from the receding waters.

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Women gather fruit, berries, tubers, bush onions, and other plant materials for the band's consumption. Ostrich eggs are gathered, and the empty shells are used as water containers. Women's traditional gathering gear is simple and effective: a hide sling, a blanket, a cloak called a kaross to carry foodstuffs, firewood, smaller bags, a digging stick, and perhaps, a smaller version of the kaross to carry a baby.

Men hunt in long, laborious tracking excursions. They kill their game using arrows and spears tipped in diamphotoxina slow-acting arrow poison produced by beetle larvae of the genus Diamphidia.

Historical evidence shows that certain San communities have always lived in the desert regions of the Kalahari; however, eventually nearly all other San communities in southern Africa were forced into this region.

The Kalahari San remained in poverty where their richer neighbours denied them rights to the land. Before long, in both Botswana and Namibia, they found their territory drastically reduced. Various Y chromosome studies show that the San carry some of the most divergent oldest human Y-chromosome haplogroups.The trance dance, which is still practiced by San communities in the Kalahari regionis an indigenous ritual by which a state of altered consciousness is achieved through rhythmic dancing and hyperventilation.

It is used for healing sickness in individuals and healing negative aspects of the community as a whole. The trance dance experiences of San shaman are believed to be recorded by southern African rock art. The San people of Botswana and Namibia were formerly known as Bushmen. They are descended from some of the oldest surviving lineages of modern humans. Their traditions and way of life may be preserved from ancient times.

3gp bushman traditional dance

Today, many have been displaced from their native lands in the name of conservation, and they may be unable to practice their traditional hunter-gatherer lifestyle. The trance dance is a healing dance for individuals and the community as a whole. It is their most prominent religious practice, according to some sources.

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It can take several forms. Many adults, both men, and women become healers in San communities. In one form, the women of the community sit around the fire and clap and sing rhythmically while the healers dance. They sing medicine songs that they learn from their youth. The ritual continues all night long. The healers dance in counterpoint to the rhythm in single file. They may wear rattles attached to their legs. They dance themselves into an altered state, which often includes feeling a great deal of pain.

They may scream in pain during the dance. Upon entering the altered consciousness through the dance, the shamans feel healing energy awaken in them, and they are careful to channel it to those who need healing. They do this by touching those who have sickness, sometimes generally on their torso, but also on body parts that are affected by the illness.

This can take the form of the healer drawing the illness out of the person and then yelling to eject it into the air. The trance dance can also be used to draw away community ills such as anger and disputes.

In other variations, drums may be used and offerings may be hung from nearby trees. The trance dance and healing rituals are believed to be depicted in paintings and carvings in caves and rock shelters in South Africa and Botswana. Some rock art shows women clapping and people dancing as in the trance dance ritual.


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